I’ll admit it. I really like Shakespeare in Love. I think it’s a clever and entertaining spin on Shakespeare with a great cast. The only Oscar victory I disagree with is Gwyneth Paltrow winning Best Actress, but that takes nothing away from the quality of her performance. I just preferred Cate Blanchett in Elizabeth.
Now, in London, you can see a live adaptation of Shakespeare in Love that looks like a lot of fun. Disney Theatricals teamed up with Sonia Friedman Productions to adapt the popular romance into a stageplay.
Why do magical girls exist? Whose great cosmic plan involves putting preteen and teenage girls into dangerous battles against inhuman enemies for minimal gain? And why the hell are the little critters that bring the pretty transformation items so stinking cute and happy?
Madoka Magica, an anime written for television by Gen Urobuchi (creator of the equally subversive Psycho-Pass), takes a rather cynical approach to the magical girl genre. Madoka is a painfully average middle school student. There is nothing special about her except her level of empathy and kindness. A new girl, Homura, transfers into the school at an odd time of year and starts a strange relationship with Madoka. Then, Madoka and her best friend Sayaka meet a cat-like creature named Kyubey who promises them one wish if they agree to fight against witches as magical girls. The dream is obviously too good to be true since every magical girl they encounter begs them to stay away.
I have a lot to say about ConnectiCon 2014. My second year at the convention cements it as my favorite. Period. It is just so well run, packed with great people, and layered with so much diversity in fan content no one could go home disappointed.
Below the jump is a modest gallery of some of the insanity from the weekend. Yes, that is a life-size Monopoly board in the game room. No, I did not get to teach a masterclass in how to manipulate people and win every game you play.
Last year, I teamed up with the fine people at PartnersHub and Universal to give away a prize pack inspired by The Purge. This year, I get to do it again.
The Purge: Anarchy is the sequel to the surprise hit horror film The Purge and I’m super excited to check it out this weekend. Click below the jump to find out how you can win this prize pack.
At ConnectiCon this past weekend, I debuted two new panels. The all ages panel was The Play’s the Thing: Shakespeare in Anime. It’s, as you can imagine, about anime adaptations of Shakespeare. I will be broadening the focus in the future to include manga so there is more territory to cover.
The panel was well-attended and led to some lively discussion about Shakespeare, anime, and the nature of translation/localization. I’ve embedded the full presentation below as well as video references (not the exact cuts due to copyright issues).
Unfortunately, the alternate video references are NSFW. I made it a point to selectively choose all ages-appropriate references for the live presentation, but I do not have the luxury when working with the available clips online. The Power Point is still safe for all ages, but the videos get more violent and sexual.
This weekend at ConnectiCon, I debuted two brand new panels. The 18+ panel was called Lovecraft on the Silver Screen. It was an exploration of the best and the worst attempts to bring H.P. Lovecraft’s stories to film.
Unfortunately, there were some major tech issues during the panel and the projector kept freaking out, preventing any of the full videos from playing. I want to thank everyone who came and stuck with the panel that largely turned into a lecture with guest appearances by convention A/V staff trying to fix everything from muted audio to the blue screen of death.
Below the jump, I’ve embedded the full PowerPoint presentation as well as the videos from the panel in order. You can read along if you choose or just jump straight to the videos for NSFW Lovecraftian madness.
I love it when my interests and needs can actually cross over. I watched The Call of Cthulhu as the last piece of my Lovecraft on the Silver Screen panel (this Saturday at ConnectiCon, come say hi) and knew it would also work for Horror Thursday. It’s the first (and probably only) time I’ve reviewed a short for the column. To be fair, at 45 minutes long, it is structured and feels like an actual feature film. It’s also surprisingly good.
Horror Thursday: The Call of Cthulhu