In my day to day life, I don’t need to do a lot to justify my obsession with Shakespeare. I music direct/teach educational theater year round. There’s always an excuse to preach the good word of the Bard.
But, theatrical criticism has started to take a turn, at least in NYC. A great production of a safer Shakespeare–a Macbeth or a Twelfth Night–will easily get raves. A great production of a more problematic play–a Richard III or A Midsummer Night’s Dream–will receive far more mixed reviews. Context is important, and it’s becoming more common now to force 21st Century readings onto 16th/17th Century plays.