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Best of February 2013

February was a rough month. Between the weather and my Carpal Tunnel coming back in full force, I didn’t get nearly as much content up as I had anticipated.

With that said, I’m very pleased with what did go up. Here are what I consider the best posts of February 2013.

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International TableTop Day

International TableTop Day is Coming March 30

Felicia Day just announced an international initiative to get people playing tabletop games. Her YouTube channel Geek & Sundry has put a lot of focus on tabletop gaming with their original show “TableTop” hosted by Wil Wheaton and the distribution of “On the Table,” a tabletop gaming news show. Now, Geek & Sundry is advocating for more tabletop gaming.

The first ever International TableTop Day is scheduled for 30 March 2013. You are encouraged to get out and play tabletop games. Invite friends over to your house for a game night. Visit your local game store or community center and join up for some gaming. Set up your own larger event or join in the fun at one of the Geek & Sundry scheduled events.

You can sign up for all the details and goodies at the International TableTop Day website.

I’m probably going to set up at home for some house rules Monopoly. Here’s a brief run down of how this bizarre but wildly entertaining version works. You need two different editions of Monopoly and a way to do math while playing.

International Monopoly

Overlap the Go squares to create a figure 8 track. Set up the money per the instructions of one edition; different editions sometimes have different currency values, so choose one and stick with it. Give each player the starting money from both games.

Each board represents a different country; therefore, you need to establish an exchange rate. In our Spider-Man/Mario example, you can use Spider-Man money to buy Mario property. You just have to pay a different amount of the money. 1.5x the value is a good starting place. This applies to taxes, property, and jail fees.

At the start of the game, you choose which board you want to visit first. When you pass Go, you cross to the other board. The only time this changes is if you land on Go. Then you can choose which board you want to play on until you pass Go again.

The rest of the rules apply as usual. If your game has special rules (like Pokemon Monopoly giving you powers on a double), you can decide whether or not to apply those rules to one or both boards before you play.

Of course, that’s just how I choose to run the game. Some people like to play according to the manufacturer’s rules. And some people have friends and family willing to play the more engaging tabletop games so they have no need to create a more interesting version of the game.

So, will you be celebrating International TableTop Day? Sound off with your plans and ideas below.

To This Day Project

Watch: “To This Day” by Shane Koyczan

Bullying is one of those subjects that gets talked about a lot in modern media. Yet, from my own experience, it’s very rare that a film, TV show, web series, etc. actually hits on the lasting impacts of bullying. I’ve been out of the public school system for just under nine years now and I still wake up sometimes with the words and actions of my bullies running through my mind. Bullying can shape your life in fundamental ways that don’t just go away because it’s not happening five times a week anymore.

Last year’s documentary Bully showed how bad the behavior can be and how readily it’s swept under the rug for the school’s reputation. The It Gets Better campaign attempted to show just how many people are impacted by bullying and how it is possible to get through it.

Now, poet Shane Koyczan is taking this slowly emerging wave of reality-based activism to the next level. He wrote a spoken word poem called “To This Day” about his own experience being bullied as a kid. It starts with the lead-in to the first real bullying he experienced, then really takes off. The whole thing takes a turn for the dark and shocking with his perspective on the attacks.

Then he pulls in two other stories from his friends to broaden the range and blur the meaning of bullying. Koyczan’s own bullying stemmed from a silly misunderstanding. His friends were bullied because of their appearance and medical condition.

If bullying really were just a case of kids being kids and something everyone experiences, then everyone would be able to share a story as unsettling as the stories in “To This Day.” There’s a world of difference between having someone take your lunch money and having someone systematically attack you for weeks at a time, vandalizing your property, insulting you, and physically attacking every time they see you. While both are examples bullying, the persistence of bullying over a long period of time is what’s going to cause lasting damage. It’s also very rare for the one incident that’s so easily pushed aside to be the only incident in the involuntary relationship between a bully and a victim.

“To This Day” is hopefully going to turn into a much larger project that explores how a single act of bullying cannot be isolated from the collective experience of bullying. Shane Koyczan has already made the poem into a collaborative project, inviting artists to submit animated segments for a beautiful video illustrating the “To This Day” poem. He encourages you to sign up at his website for e-mail updates so you’ll be one of the first to know about the next phase of the project.

So what do you think? Share your thoughts below.

bestcostumes

85th Annual Academy Awards Winners

I live blogged the ceremony last night, but I figured a more guided (and brief) postmortem was in order.

Seth MacFarlane did a solid job hosting the awards. I like a host who can cast a wide net of one-liners and keep the audience on their side. The last one to do that was Ellen DeGeneres back in 2007 and she also go stuck with a lot of bloated musical performances.

shirleybasseyThere were good music moments–like Shirley Bassey tearing the house down singing “Goldfinger”–and bad music moments–like the cast of Les Miserables trying really hard not to make it obvious that only the trained theater professionals had any reason to be near that score in the film–and even terrible musical moments–that ending song was really disgusting.

The worst part of the ceremony, though, was the inconsistent use of the play-off music. The Jaws theme was bad enough (actually really insulting). What was worse was that only technical category winners, like the visual effects winner putting out a call for better wages in the industry, were cut off. Everyone else got to meander and give really long, boring speeches if they chose to. Quentin Tarantino even got to come back to the mic after he finished his speech without issue. If the rules aren’t going to be applied consistently, then the Academy needs to drop its holier than though attitude about what nominees can and cannot do with their films.

Here are all the winners of the 85th Annual Academy Awards.

  • Best Picture: Argo
  • Animated Feature: Brave
  • Documentary Feature: Searching for Sugar Man
  • Foreign Language Film: Amour
  • Best Actress: Jennifer Lawrence, The Hunger Games Silver Linings Playbook
  • Best Actor: Daniel Day-Lewis, Lincoln
  • Supporting Actress: Anne Hathaway, Les Miserables
  • Supporting Actor: Christoph Waltz, Django Unchained
  • Best Director: Ang Lee, Life of Pi
  • Adapted Screenplay: Chris Terrio, Argo
  • Original Screenplay: Quentin Tarantino, Django Unchained
  • Original Score: Mychael Danna, Life of Pi
  • Original Song: Adele and Paul Epworth, “Skyfall” from Skyfall
  • Sound Editing (TIE): Per Hallberg and Karen Baker Landers, Skyfall; Paul N. J. Ottosson, Zero Dark Thirty
  • Sound Mixing: Andy Nelson, Mark Paterson, and Simon Hayes, Les Miserables
  • Cinematography: Claudio Miranda, Life of Pi
  • Costume Design: Jacqueline Durran, Anna Karenina
  • Film Editing: William Goldenberg, Argo
  • Makeup and Hairstyling: Lisa Westcott and Julie Dartnell, Les Miserables
  • Production Design: Rick Carter and Jim Erickson, Lincoln
  • Visual Effects: Bill Westenhofer, Guillaume Rocheron, Erik-Jan de Boer, and Donald R. Elliott, Life of Pi
  • Animated Short: John Kahrs, “Paperman”
  • Documentary Short: Sean Fine and Andrea Nix Fine, “Inocente”
  • Live Action Short: Shawn Christensen, “Curfew”

Winner Tally by Film

Four Wins
Life of Pi

Three Wins
Argo
Les Miserables

Two Wins
Django Unchained
Lincoln
Skyfall

One Win
Anna Karenina
Amour
Brave
“Curfew”
“Inocente”
“Paperman”
Searching for Sugar Man
Silver Linings Playbook
Zero Dark Thirty

I went 20/24 on my predictions. How did you guys do? Sound off with your scores and thoughts in the comments below.

85th Annual Academy Awards Live Blog

85th Annual Academy Awards Live Blog

It’s finally here! The biggest film awards show in America goes off live in just under 90 minutes and I will be bringing you the action live. You can also follow on my Twitter feed if you prefer, as I can’t help but interact on such a popular night for geeks like me.

How it works is that you can just stay on this page and it will update live in front of you. The new posts will appear on top and I’ll do my best to snatch images off the TV with my camera phone as necessary. Who are you rooting for? Share your thoughts throughout the night and I’ll chime in as well.

See you at 8:30 EST.

The Oscars are over, the prizes have been handed out, and the live blog is complete. If you’re catching up the day after, start at the bottom and work your way to the top. Thanks for following along to everyone who checked in last night.

85th Annual Academy Award Predictions

85th Annual Academy Award Predictions

The 85th Annual Academy Awards go live tonight, putting a nice button on 2012′s mainstream filmmaking (the Saturn, Nebula, and Bram Stoker Awards are still to come to wrap up the year in horror, sci-fi, and fantasy). I will be live blogging again like I did with the Grammys, but I wanted to get my final predictions in first, category by category.

Animated Short

Best Animated Short Paperman
Paperman
This category is all but locked up for Pixar at this point. “Paperman” has such a strong campaign narrative going that people who didn’t even see the shorts at all are voting for it. I’m pulling for a “Fresh Guacamole” upset but I know the more likely spoiler is “Adam and Dog.”

Will Win: “Paperman”
Spoiler: “Adam and Dog”
My Pick: “Fresh Guacamole”

Documentary Short

Best Documentary Short Inocente
Inocente
This category is a tight one. “Inocente” has won the most acclaim throughout the year but it’s a slighter documentary about a young artist confronting negativity. “Open Heart” feels more important and has also been received well, focusing on children needing heart transplants in Rwanda. I haven’t seen the nominees here, so I have no personal pick.

Will Win: “Inocente”
Spoiler: “Open Heart”

Live Action Short

Best Live Action Short Curfew
Curfew
Another category I haven’t seen the nominees in. All I keep hearing is how the field this year is incredibly depressing with the exception of “Curfew.” It’s as close to a lock as these lesser-seen categories get.

Will Win: “Curfew”

Psycho-Pass and the Morality of Justice

Psycho-Pass and the Morality of Justice

If you could live in a world where criminals could be apprehended before they even committed a crime, would you? This is the central premise of Psycho-Pass, a new anime written for television and airing in time with the Japanese release all over the world thanks to Funimation.

Psycho-PassIt is the near future and most crime has been eradicated from Japan. Scientists have discovered a way to accurately measure the probability that someone will commit a crime. This figure is the Crime Coefficient and it is monitored at all times by the Sibyl System. The way to keep a low Crime Coefficient is to receive regular therapy and work on managing your stress levels. Trials and courts are no longer needed as the Sibyl System controls the law, regulation, prevention, treatment, and punishment.

When the Crime Coefficients get too high or a person actually commits a crime, the Public Safety Bureau’s Criminal Investigation Unit is dispatched to the scene. These units consist of very intelligent law-abiding citizens, Inspectors, and incurable but highly stable latent criminals, Enforcers. They are equipped with a combination stun/ammunition gun, a Dominator, that confirms the Crime Coefficient before unlocking to subdue an individual engaging or about to engage in a crime.

Psycho-Pass presents an interesting world from the perspective of Unit One of Public Safety Bureau’s Criminal Investigation Unit. Akane Tsunemori is a recent graduate who scored so high on her career exams that she could choose any career she wanted. She chooses to be an Inspector because she was the only student in her class to pass the Public Safety Bureau’s standards. She is put in charge of the Enforcers Shinya Kogami, a former Inspector, and Shusei Kagari, a young man who grew up with a high Crime Coefficient. The trio are sent out to investigate crime scenes and apprehend latent and active criminals.

Psycho-Pass Sibyl System
Robots are used as a tool for comfort and investigation
Psycho-Pass could have been a standard procedural show with a sci-fi twist. Instead, writer Gen Urobuchi (Fate/Zero) uses the form of the procedural as a critique of the criminal justice system. We obviously live in a world where trials and police work define justice. Deterring crime and apprehending criminals on lesser violations before they have the chance to do something more destructive is a big part of this job. But if deterrence and early detection alone became the main focus of the legal system, how could we be sure that we’re actually apprehending and punishing real threats?

In the first episode of Psycho-Pass, a woman is kidnapped and sexually assaulted by a criminal. The investigators know the assailant is a huge risk because of his high Crime Coefficient and his track record of bad behavior. However, when they finally find the man in a labyrinth of abandoned apartment buildings, his victim is already registering a high Crime Coefficient. The stress of being attacked put her in a terrible mindset that falsely identifies her a being more dangerous than the man who raped her. Akane, on her first day as an Investigator, makes the choice to directly disobey orders and subdue Shinya before he exterminates the victim for having a dangerous Crime Coefficient. Akane is able to calm the the victim down enough to get her out of the lethal Dominator range and take her in for emergency rehabilitation.

Psycho-Pass Episode 1
A calm voice quiets a stressed mind

The show spends a few episodes defining the morality of the characters and the limits of the centralized and omnipresent Sibyl System for detecting crime. You find out there are blind spots in many public places, businesses and schools don’t have to submit themselves to the constant Crime Coefficient scanning, and some people don’t even register on the scale at all. If the only way to regulate crime is the Sibyl System and the Sibyl System is far from perfect, how can you trust the alpha and omega of crime enforcement to actually protect society?

The genius of Psycho-Pass is how this context is established. The first five episodes are there just to introduce you to the how and why of the world. From there, the longer narrative emerges. A criminal mastermind who doesn’t register at all on the Sibyl System is encouraging latent criminals to commit very public acts of violence and mayhem to take down the entire legal system. When one protege is caught, another is brought in to do even worse things. His goal is to wake society up to the flaws of the Sibyl System.

In Psycho-Pass, there are no obvious right or wrong answers to justice[/caption]Meanwhile, Akane is constantly put at odds with her own team of Enforcers and Nobuchika Ginoza, the senior Investigator in Unit One. She is told on her first day that the rules don’t matter as much as the results and the theory of why using Crime Coefficients to help society means nothing when you pursue actual criminals. Akane rejects the premise outright and insists on doing as much investigation into crimes and latent criminals as possible. This means actually letting the Enforcers try very risky strategies to lure out offenders and refusing to rely on lethal action even if it means letting the criminal escape.

Psycho-Pass Conflict Psycho-Pass is the push and pull of modernizing criminal justice. No one is entirely right and wrong in their theories about the role of the Sybil System in law enforcement. There are obvious wrong-doers–murderers, rapists, violent thieves–but they are far out-weighed by what looks like regular people having a bad day. Can you really sentence someone to jail and rehabilitation because they lost their job or got in an argument with a loved one before going outside? And how much of a role does mental health play in determining actual criminal risk? Is a person with anxiety more likely to commit a crime because of their illness than a victim of bullying who is fine so long as he’s nowhere near his abusers?

Psycho-Pass is a constantly evolving communique on evaluating right and wrong versus legal and illegal in modern society. If a criminal thinks he’s doing the right thing by committing a crime, they might go undetected for years or even life because his crime has no impact on their psyche. But a regular person who makes one bad choice and knows it is wrong could be sentenced to death for a momentary lapse of judgement. These are the extreme ends of the spectrum of justice and morality in Psycho-Pass, but they are the forces that drive the tension and interest of the series.

Have you checked out Psycho-Pass yet? It’s streaming on Hulu with new episodes coming out on Thursday nights. What do you think? Sound off below.

Face Off 4.6 Creepy Crawlies

Face Off 4.6: Creepy Crawlies

This week on Face Off, the nine remaining makeup artists were presented with an interesting challenge. McKenzie Westmore instructed the designers to choose a beautiful, abstract image to inspire the color scheme and texture of their next Spotlight Challenge. Once the screens were assigned, McKenzie revealed the real challenge. The photos zoomed out at a rapid pace until nine colorful insects were revealed. Each contestant had to incorporate the colors and texture from the original photograph into a full body insect-inspired makeup design.

Face Off 4.06 Fairy TalesBut first, the contestants had a fun Foundation Challenge. They had to reinvent fairy tale characters. It was a very short segment on the show, but the contestants clearly had a lot of fun with it. Eric F. won for a disfigured Red Riding Hood and picked up a big prize in a large Makeup Forever kit and immunity for the week.

The Spotlight Challenge excited most of the contestants and resulted in a lot of strong looks. I can only assume the scores were so close that the judges couldn’t choose a third top look from the clear top six.

The top looks for the challenge were Kris and Wayne.

Kris had to create a butterfly and went big. He crafted massive wings to make the model’s head look proportional to the body. When the anatomy books failed to show the detail on the butterfly’s thorax, Kris took the patterns from the macro photo of the head and sculpted an elaborate labyrinth of ridges over the body. It was a very literal design (sans thorax) but a striking design.

Face Off 4.06 Kris

Wayne had to create a firefly. He took a more abstract approach than Kris, crafting representational wings as a cape in the back. He used color blocking to define the shape of the insect and even created a glowing tail. The huge glossy eyes were very expressive with the movement in the face. The placement of the nostrils over the model’s eyes was the perfect choice.

Face Off 4.06 Wayne

Unfortunately for Wayne, he didn’t actually complete the challenge because he left his reference photo in the workshop before he painted the makeup at last looks. Kris won by default and the judges made that very clear. I would like to applaud Ve Neill for finally getting her way and convincing the judges to reward a contestant who met the challenge rules over a far more innovative design that didn’t conform to the challenge. She’s made that case a few times before and this was the first time it stuck.

The bottom looks were Alam, Anthony, and Meagan. They all wound up there because of bad time management.

Alam had to create a grasshopper. She tried to tackle way too much by herself. She ran silicone appliances for translucency, crafted wings, legs, and tail out of foam and fabric, and costumed the creature with nontraditional materials. The whole thing was a mess on the stage because it wasn’t finished. The concept was great, but the execution wasn’t there.

Face Off 4.06 Alam

Anthony had to create an army ant. He was immobilized by the challenge. Nothing was particularly inspiring and he wasn’t satisfied with anything he sculpted. He went super literal as a last resort and failed to complete his makeup. The biggest issue was uncovered foam antennae right smack in the middle of the face.

Face Off 4.06 Anthony

Meagan had to create a moth. Her design was great. The sculpt looked really good. She even went risky with an accurate look showing the moth in its true hair-covered form. She just really screwed up the paint job. It looked like she shot paint balls at the model and threw her on the stage. It was a big shame since a better paint job could have given her the win.

Face Off 4.06 Meagan

Ultimately, it was Alam’s inability to explain her design that sent her home. I wonder how much was creative confusion and how much was a matter of translation. She did not performed well when talking to the judges the entire season and I can’t tell if it was nerves or genuine misunderstanding. Either way, her look was the least polished on the runway and had major technical flaws in application–rough edges, too much paint on silicone appliances, and unfinished foam accessories.

So what did you think? Like the images? Check out all the SyFy Face Off Galleries. Share all your thoughts below.