Daily Archives: 27 July 2011

In Tribute: Amy Winehouse

I’ve played jazz music since I was nine years old. My first private piano teacher thought I might have a knack for it because I picked up on theory and chord changes so quickly. He pushed me to play jazz, blues, ragtime–anything in that nebulous American jazz wheelhouse. I just loved it. It’s almost seventeen years later and I’m still obsessed with jazz. I write jazz. I play jazz. I seek out shows where I can music direct or perform jazz. It’s a lifestyle.

Amy Winehouse is a big part of why jazz, blues, and soul influences have made it back into contemporary hit radio/mainstream media. She ushered in this minor wave of retro artists from England. Without her, it’s unlikely artists like Duffy and Adele would have been given a fair shake in America.

But this isn’t about who she did or didn’t pave the way for. This is about my relationship with her music.

The Library: Mahalia Jackson’s “Summertime and Sometimes I Feel Like a Motherless Child”

When I started doing The Library posts, I set out to suggest tracks that I thought would fit in any music fan’s library. Today’s selection is a little bit different.

Mahalia Jackson is The Queen of Gospel. As far as I’m concerned, she has one of the most beautiful voices ever recorded in the history of music. She performed gospel music her entire life and eventually gained a wide audience as an in-demand live gospel vocalist. She also stuck to her morals, performing only Gospel music and refusing gigs in any venue she deemed inappropriate.

Mahalia’s voice is that rare mix of control, emotion, and beautiful dark round vowels. It’s smooth as molasses and sincere as young child’s letter to Santa Claus. She did not do any excessive vocal histrionics because she did not need to. When the voice is that strong, it’s enough to just sing the song and sing it well. It’s the kind of style that inspires a singer to better themselves.